LIVING IN THE ESCHATA: THE END OF CHRISTENDOM AND PROSPECTS FOR A GLOBAL SPIRITUALISM
MICHAEL A. PETERS

AN EYE FOR AN I? A REPLY TO MANDIK ON WITTGENSTEIN ON SOLIPSISM
CHUCK WARD, MATTHEW P. JOHNSON

“DARWIN’S DOUBT” REVISITED: PLANTINGA AND HIS CRITICS ON THE EPISTEMIC IMPLICATIONS OF NATURALISM
TROY NUNLEY

INFORMATION TECHNOLOGY, DIGITAL JOURNALISM, AND THE STRUCTURAL IMPLICATIONS OF NEW MEDIA
GEORGE LAZAROIU

THE CHOMSKYAN VERSION OF GENERATIVE GRAMMAR
ADRIAN CONSTANTINESCU

LINGUISTIC MEANING, NAMING, AND IDENTITY
MADALINA NICOLOF

VISUAL PERSUASION IN ADVERTISING
SOFIA BRATU

JAMES’S CONCEPTION OF NOVELISTIC TRUTH AND HIS AESTHETIC OF FICTION
BIANCA-MARINA MITU

THE EFFECT OF NEW MEDIA ON NEWS CONTENT
GEORGE LAZAROIU

SOCIAL NORMS – AN IMPORTANT DETERMINANT OF INDIVIDUAL TELEVISION VIEWING
BIANCA-MARINA MITU

THE PIANO AS AN INSTRUMENT FOR INSTRUMENTAL MUSIC EDUCATION
GABRIELA MUNTEANU

UNDERSTANDINGS OF THE “AUTONOMY CHARACTER” OF MUSIC
LUMINIŢA POGACEANU

IMPROVISATION AND RHETORICAL EXPRESSION
VIORICA BARBU-IURASCU

THE CONFLUENCE BETWEEN MUSICAL AESTHETICS AND THE PHILOSOPHICAL CONCEPT OF SELF-CONSCIOUSNESS
ION OLTETEANU

DOES PROFESSIONAL VIOLIN/VIOLA PLAYING INFLUENCE FACIAL MORPHOLOGY?
MIHAELA R. GLIGOR

LIFE-CYCLE RITES OF PASSAGE IN ROMANIAN EPIC
VERONICA DEMENESCU

THE SYNCHRONIC STATUS OF RHOTACISM
GABRIELA MUNTEANU

THE CHANGING STATUS OF MUSIC WITHIN CLASSICAL AESTHETICS
LUMINIŢA POGACEANU

PHRASE RHYTHM AND COMPOSITION
VIORICA BARBU-IURASCU

MUSIC, RHETORIC, AND REPRESENTATION
ION OLTETEANU